1. |
||||
|
confined space
try to sit in every place
watch the movie get worse
cope, evolve
rewind, (and) dissolve
(yeah) watch the movie/(let) it all get worse
|
||||
2. |
celebrated business
03:29
|
|||
|
what is with that door?
what is it searching for?
here/there no more
here/there no more
CELEBRATED BUSINESS
WHO KNOWS WHAT IS THIS
DRINKS FOR FORGIVENESS
IT SEEMS LIKE WE’RE REALLY IN THIS
CELEBRATED BUSINESS
well, no one else is here
that makes it all so clear
CELEBRATED BUSINESS
DRINKS FOR FORGIVENESS
what is with that door?
what is it searching for?
here/there no more
here/there no more
|
||||
3. |
rinse
03:26
|
|||
4. |
every last idea
04:33
|
|||
|
to sleep
to breathe
to leave
at least one more
to smell
to cry
to shiver
one last time
AND DOWN
THAT DIRECTION
EVERY LAST PERCEPTION
IT’S ALL DOWN
EVERY LAST IDEA
EVERY ATTEMPT TO FEEL
TRY TO DISCERN
TRY TO HEAL
to grieve
to pray
to seize
all of the dismay
to block
to hide….
|
||||
5. |
row
03:59
|
|||
|
the scene may be crumbling through the door
a naked wash of what we’re living for
some solid, some truth
some love back to you
rooooooooow
step it back, step back down
and forget that time everybody said look around
some solid, some truth
much love back to you
rowwwwwwwww
and last time that happened
may have been long ago
lingers here and deja there
time is slow
find a way to row
where peace wants you to go
you can always row
please always row
|
||||
6. |
77 paces
03:43
|
|||
|
there you are on screens
there you are on screens
here we are unseen
here we are unseen
what, what is fragile?
what is authentic?
how can we really help it?
how can we help it?
art it all out
what else is there
find what works now
make something yours
|
||||
7. |
improved isolation
03:39
|
|||
8. |
nok
04:23
|
|||
9. |
garage treats
05:09
|
|||
|
evaporate, degradate
that’s the science of the hate
to make sure we’re gone
what’s the source? what’s remorse?
removal or the joining of force
to make sure we’re gone
the lost treats
no one meets
and there’s not place, no seats
every coping, time-shift coping
ever sinking, ever moping
and yet, we’re not gone
don’t know here
don’t know there
don’t know what’s anywhere
who did?
the lost treats
no one meets
and there’s not place, no seats
|
||||
10. |
open close
02:19
|
|||
|
when you see there is a door,
a door that few can see
below that door, there is a floor
for anyone and me
sometimes sick, sometimes not
breathing either way
perhaps that door can cure us more
more than yesterday
and we sought that door
for all it’s given
we sought that door
for the wonder
and just, one time
not of georgia pine
we will open the door
and it’s splendor
|
||||
title case Seattle, Washington
had to retake bio in high school
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